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Current Musicology (2023/2024: periode 1)
Cursusdoel
- has knowledge of important current trends within the broad field of music studies and the humanities at large;
- is able to succinctly, clearly, and carefully analyse, summarize, and discuss the main ideas as formulated in assigned academic texts;
- has learned to professionally and communicate insights, reflections, and questions about given topics in oral presentations and discussions as well as academic writing;
- is able to compile a bibliography on a topic of their own choice, along prevailing international standards for bibliographic references, and to critically assess the aims and arguments found therein in a succinct and efficient manner in the form of a literature review.
Vakinhoudelijk
This seminar critically surveys the current state of the field. Students focus on epistemological and heuristic problems facing musicologists today and on the methods available to address them.
Over the last decades, the complexity of ways in which music has existed and exists in a globalizing world has resulted in significant realignments within musicological research. Traditional paradigms of musicology such as Eurocentric history, philology, source studies, or music analysis based on autonomy aesthetics have lost their dominance; musicologists now routinely integrate methods and techniques introduced from other disciplines (e.g., literary and cultural studies, anthropology, or art history) into their work, and explore music as a performative and media-based art within a broad range of multidisciplinary and transcultural contexts. Moreover, the impact of (digital) technology and of science and scientific methodologies on the field is on the rise, transforming research, and therefore will receive due attention. Using examples from a variety of historical periods, geographical regions, and musicological subject areas, this course provides an overview of the state of play in musicological research today, alongside critical reflection on the discipline of musicology within a continually changing environment.
Aanvullende informatie
Training in written and oral presentation of research.
Werkvormen
Toelichting
Research seminar.
Bijdrage
Joint presentations, peer review.
Voorbereiding
Weekly readings, assignments, oral presentations.
Toetsing
Paper
Verplicht | Weging 75% | Minimum cijfer 5,5 | ECTS 3,75
The acquaintance with important current trends within the broad field of music studies and the humanities at large; the ability to compile a bibliography on a topic of the student’s own choice, along prevailing international standards in the English language, and to critically assess the aims and arguments found therein in a succinct and efficient manner.
Referaat
Verplicht | Weging 25% | ECTS 1,25
The ability to succinctly, clearly, and carefully analyse, summarise, and discuss the main ideas as formulated in assigned academic texts; the ability to professionally communicate insights, reflections, and questions about given topics in oral presentations and discussions.
Ingangseisen en voorkennis
Ingangseisen
Je moet inschreven staan voor een van de volgende opleidingen:
- Applied Musicology
- Musicology
Voorkennis
Er is geen informatie over benodigde voorkennis bekend.
Voertalen
- Engels
Cursusmomenten
Gerelateerde studies
Tentamens
Er is geen tentamenrooster beschikbaar voor deze cursus
Verplicht materiaal
-
WNB
Aanbevolen materiaal
-
WNB
Coördinator
K.E. Ramstedt | k.e.ramstedt@uu.nl |
Docenten
K.E. Ramstedt | k.e.ramstedt@uu.nl |
Inschrijving
Inschrijving
Van dinsdag 30 mei 2023 tot en met vrijdag 23 juni 2023
Na-inschrijving
Van maandag 21 augustus 2023 tot en met dinsdag 22 augustus 2023
Inschrijving niet geopend
Permanente link naar de cursuspagina
Laat in de Cursus-Catalogus zien